169 Royalty-Free Audio Tracks for "Stretched Rubber"

I used cheap mallet sticks made of rubber to play on a ride cymbal. Not really a good tremolo or whatever you call it, but it has its moments!recorded with a tascam dr 100. The ride was bosphorus traditional series. So i think it's 21 inces i guess? correct me there, i lack loads of drum-knowledge. Sorry about the attributional cc. It should've been public domain from the start.

Sound created using a sampler and effects.

Plucking and pulling a rubber band to get some variation in the sound. Originally recorded as foley for a giant slingshot release. Recorded with a zoom h4n.

This is the sound of an automobile's windshield wipers on a medium-slow rate. Recorded in ab ortf mic position consisting of a matched pair of schoeps mk4 cardioid mics fed into a sound devices 744tlisten. Download. Enjoy.

Rubber tires breaking and squeaking on the streets of hilversum, netherlands. Recorded with rode nt4 xy-stereo mic and zoom h4 handy recorder.

One of a series of recordings of a delightfully squelchy toy. Bringing my microphone up close to this toy, i found myself in a world of deep, squishy mud. Recorded with a rode nt1 into a universal audio arrow.

Rain ambiance in the backyard of an nyc townhouse on a quiet saturday morning may, as heard from the doorway of the apartment building. Recorded on may 29, 2021 in the backyard of a north shore townhouse in staten island, ny with the on-board x-y mic of a zoom h4n pro.

Rain ambiance in the backyard of an nyc townhouse on a quiet saturday morning may, as heard from under a tree in the middle of the yard. Recorded on may 29, 2021 in the backyard of a north shore townhouse in staten island, ny with the on-board x-y mic of a zoom h4n pro.

Rain ambiance in the backyard of an nyc townhouse on a quiet saturday morning may, as heard from the doorway of the apartment building. Recorded on may 29, 2021 in the backyard of a north shore townhouse in staten island, ny with the on-board x-y mic of a zoom h4n pro.

Walking on a dirt road wearing sketcher rubber-soled work shoes with steel toe protection on a rainy day in the suburbs of detroit, michigan!.

Recorded with rode ntg4+ microphone. Processed with eq and denoiser.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, combining and mulching everything into new, dynamic sounds with lots of interesting, muddy contours.

One of a series of heavily processed sounds of a squelchy stress reliever toy. I ran the original recordings through s-layer, the sample-mangling plugin from twisted tools, shaping them into short, sharp, and punchy impulses. These might be useful for some unusual ui sound design, or perhaps some gloopy weapon sounds!.

Looping synth sequence made in rebirth propellerhead, with added reverbs and effects.

Looping synth sequence made in rebirth propellerhead, no reverbs and effects.

Squeaky trampoline jump close up indoors. Small children's trampoline. Could also be used for as a sound for some sexual action on a squeaky mattress. Who knows. . . Recorded with sennheiser mke600 on a tascam dr-60dm2 recorder.

Sounds like rubber being stretched and then snapping.

Plucking two rubber bands stretched across the shell of an empty coconut. Rode nt1-a > mixer > computer > energyxt.

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.